Seed: From Student to Skilled Professional

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Seed Software Logo

As a senior professional in what might be termed the wider software industry I’ve worked with a lot of new graduates. On average I estimate that it takes 6 months for a new graduate to become an effective developer.

This is mostly because there is so much more to being a good developer than just writing code. Yesterday was James Croft’s last day as an intern at Seed, in his blog he takes time to thank us and gives a short précis of how he believes his year at Seed has helped him.

In The University we do the best we can to provide our students with knowledge of the working world. The University of Hull has an excellent reputation for producing well rounded, very employable Computer Science graduates. This is important, especially now that students are being asked to contribute so heavily and so directly towards their degrees: the employability of graduates is key to choosing a university and a course. A degree is an investment and you want to know you’re going to get a return on that.

I’m proud to be a member of the Computer Science Dept. at Hull, but no matter what we present in formal learning we’re never going to be able to teach what it’s like to be a software developer. That’s where Seed Software comes in.

Fire AppliancesWe run a professional software development practice from right within the Department of Computer Science. We’re not playing at it either; Seed is not an academic’s idea of what a real software house would look like. Most of the software we develop is in use by the Fire Service. Currently 15 fire services in the UK use our software, ranging from risk management applications to the very systems responsible for taking calls, selecting and mobilising fire engines and assisting the crews by providing communications and information at the scene.  Commercial software development doesn’t get much more critical than this.

So how does this benefit our students and where does James fit in? James worked with us as an intern – he took a year out of his degree (between second and third years) in order to work with us. This is a paid position, we don’t expect people to work for nothing and there are several positions available. Currently we have 2 intakes, roughly one before and one after each summer.

Students can also work for with us part time as a module in their MEng or MSc programme.

I couldn’t write a syllabus for what Seed teaches, but I see how our students and interns grow over their time with us. Some come in over-confident and quickly realise that the real world is far more complex than they had imagined. Others come in lacking confidence and realise that they actually do have the required skills. Seed often puts people outside their comfort zones, being a good developer is so much more than sitting behind a computer and writing code. It’s about teamwork, it’s about communication, risk evaluation, it’s about prioritisation, estimation, strategy, presentation, politics. I could go on.

That’s what we do in Seed, we take students and we turn them into real world software professionals. As a professional business person myself I would employ every single intern that we have ever had in Seed, perhaps not as they started with us, but by the end of the internship all have proved that they have what it takes to be a valuable asset to our industry.

So I’m proud to be a member of the team at Seed, proud of what we do and of what we’ve achieved and I genuinely look forward to the future, to making Seed even better and more effective as we ourselves learn and grow.

 

Norris, I Have a 12″ Black Plastic Disc with a Hole in the Middle…

Reading Time: 3 minutes
Ariston RD110 Turnatable
Ariston RD110 Turnatable

I’m the lucky owner of rather a good turntable – I came by it almost by chance some 20 years ago. Despite the advent of CD and MP3 I kept it primarily because I own quite a lot of music that simply has never been released on CD. That isn’t why I dug it out of the store, and it’s not because I needed something “vintage” to go with the enormous tiger striped beanbag.

I dug it out of the store because I wanted to listen to music. I’m not going to pretend that vinyl sounds “warmer” or in any way better than CD or MP3 because it’s a plain lie. OK, so with a top quality deck and a brand new pressing you could in theory get better quality than a CD but that’s just not how it works. Dust happens, scratches happen, wear happens and you can hear all of it. So why listen to an inferior reproduction system? Because putting on a record is a ritual, you don’t put on a record to play in the background. As Pooh Bear says that “When you see someone putting on his Big Boots, you can be pretty sure that an Adventure is going to happen,” when you see someone putting on a record you can be pretty sure that they’re going to Listen to Some Music.

So I’ve been working through my record collection and rediscovering the world of vinyl and how much more flexibility it gave artists and record producers. There are coloured records, shaped records, picture discs and there’s enough room  in a 12″ pack to neatly fold all sorts of things, but especially posters. Then of course there are gatefold sleeves and the whole world of cover art. I used to have a wall display that was made out of record covers – 12″ of square cardboard is large enough to make an impression. The cover art of a record really matters, I’ve bought a fair few of them on the strength of the cover art alone.

There are a few less well known charms too, like run-out groove etchings. One of the most famous that appears on a lot of records, is this.

A Porky Prime Cut
A Porky Prime Cut

“A Porky Prime Cut” is the signature of renowned record cutting engineer George Peckham. Quite often the band themselves get in on the act too, often with weird and cryptic messages. One of the most notorious is the run-out groove etching on the Sisters of Mercy’s 1983 Temple of Love original 12″ single. I think we can safely assume that they were not fans of the temperance movement.

Sisters Temple '83

Clearly it’s not worth buying a load of vinyl and forking out a small mortgage for a top quality record deck. Vinyl is easily damaged, it wears out, it’s inconvenient to store and to play and it weighs a ton. But it has a charm than CD and MP3 simply don’t have and for that reason alone I love it.